ghostlike echoes and raw pulsations from gavilan rayna russom.

remastered collection of disco classics from giorgio moroder on translucent blue double vinyl.

limited edition of 2000 numbered copies on orange coloured 180 gram double vinyl, housed in a gatefold sleeve.

limited edition of 500 copies. new beat goodies from boy records.

the ambient, electronic and pastoral sounds of the bruton library catalogue. pressed on black vinyl.

new soul / boogie discovery out daytona beach, florida. not surprising as its absolutely banging on both sides. big love to brian sears who hooked up with michael gamble on this.

just a classic, repress , black vinyl

three soul print releases in a special price sales pack. (slpvnl001 / slpvnl002 / slpvnl003)

classic 1980 album from talking heads, produced by brian eno. reissue on 180 gram vinyl.

brand new music from gavilán rayna russom (black meteoric star, lcd soundsystem)

new record label called jason, jared & brian s records. it starts with jared wilson from seattle.

mojo club presents the 1st dancefloor jazz compilation on vinyl.

2020 reissue on double vinyl, including bonus instrumentals.

a journey through the inner world of queen. limited edition orange 180 gram double vinyl in gatefold sleeve.

vcs have been translated from their natural, organic latin grooves into acid line, cumbia rhythm remixes in the latest lovedancing plate. razor-n-tape honcho, jkriv, joins whiskey disco boss, sleazy mcqueen, for three hot hot hot remixes taken from the latest vagabundo club social ep, pambele.

2019 repress of the debut lp by nottinghams finest purveyors of psychedelic noise, the cult of dom keller. originally released in 2013, the album went immediately sold out. recommended to fans of spectrum, spacemen 3, faust, wooden shjips, moon duo, psychic ills, the brian jonestown massacre and 13th floor elevators. vinyl release available in a limited edition of 400 copies on gold vinyl.

the west coast super duo of brian ellis and tim tucker is back! 2 sided slap zone, use caution! -fancy free- is a sweater funk delight backed with -that funky stuff- on the b-side, a certified funk freaks slapper. high quality boogie funk

a festive compilation of rockin & groovin christmas songs. limited edition of 1500 numbered copies on transparent green (lp1) and red (lp2) 180 gram vinyl.

the upsetter and adrian sherwood radically re-version the original tapes. limited silver vinyl pressing.

the upsetter and adrian sherwood radically re-version the original tapes. black vinyl pressing.

following on from last year s clarinet & piano: selected works vol. 1 - which saw group listening covering ambient classics such as works by roedelius, arthur russell, brian eno and robert wyatt, the duo return with a new offering for 2019 - a sultry and smoky remake of fatima yamaha s slow-burn classic what s a girl to do backed with a double header of the durutti column songs messidor / danny.

shake the shack with these 12 tracks of pure feel-good dancefloor soul.

the maghreb-legend lives one - the last recordings from rachid taha, finished by musicians like brian eno and damon albarn. the vinyl lp includes a fold-out poster.

the debut album from brian allen simon (aka anenon) and chantal chadwick as pétra.

night city life ist eine killersammlung von synthesizer-songs aus den 1980er jahren, die von ilans bewunderung für die nächtliche skyline londons inspiriert wurden. in 13 stücken begleitet uns ilan auf einem pulsierenden sprint durch die seltene italo-disco, den dampfenden südafrikanischen synth-boogie, den zischenden amerikanischen freestyle, den skurrilen österreichischen electrofunk und vieles mehr.

l’Épée is a four-piece band comprised of emmanuelle seigner (ultra orange & emmanuelle), anton newcombe (the brian jonestown massacre) and lionel + marie limiñana (the limiñanas).

billy dalessandro and brian ffar on 180 gram vinyl.

ltd 7 inch release

remastered audio on 180 gram triple vinyl.

enter a world of post-idm, ambient and reggaeton, with a progression of deep synths, reverb, and percussion whose rhythms are born from the southern hemisphere. this is the world of dj python, a.k.a. new york based producer brian pineyro

a journey through the inner world of queen on limited coloured 180 gram double vinyl in gatefold sleeve.

dj support: rene lavice (bbc 1xtra), aphrodite, ed solo, ben drumsound, run tingz

for record store day 2019

outer rim junkyard elektro. recorded in berlin 2018 by shy (uon, caveman lsd), naemi (exael) and brian (huerco s, pendant) ooze your mind brought to you by d. tiffany & uon xpq? is a subsidiary of plush managements inc. & experiences ltd.

limited pressing on red coloured 180 gram double vinyl, housed in a gatefold sleeve.

remixes from peter kruder, ken hayakawa and takamowsky on light blue / turqoise vinyl.

the new album from janelle monáe on 45rpm double vinyl, housed in a gatefold sleeve.

black double vinyl in gatefold sleeve.

part 10 of the rivera disco collecton on 3x12inch herzlichen glückwunsch.

simbad teams up with south african vocalist brian temba, whose previous release together come join in dropped on hi:rise back in 2011. in it’s original form take my hand is a sublime, forward-looking deep and soulful house track based around a filtering symphonic string loop, low-slung groove and heart-felt vocal. simbad has created a very london-centric vibe but with a french touch and detroit sensibilities, drawing from house heroes such as parrish and bradock, joining the dots and creating a fresh masterpiece in the process. next up we have jimpster on the remix, picking up the bpm’s slightly and loading up on his trademark deep stabs, sub-bass and spacious fx adding just enough dance-floor bump whilst leaving the vocal placed firmly at the core. on the flip side we have two smbd zulu edits which replace the more spartan groove of the original with some driving afro percussion. the first version keeps the vocal intact, the second version goes balls deep into dub territory, closing out this amazing release with an instrumental pushing the strings and hypnotic groove front and centre

die neue “soul togetherness 2018” enthält 15 modern-soul-highlights des jahres, die teils erstmals auf tonträger erscheinen. darunter sind grandiose songs von cornell c.c. carter, kenny thomas, jaki graham, john reid und james day (in teils exklusiven extended versions), die rückkehr von change und the richie family, die beiden künstler brian courtney wilson und lexi von motowns neuem gospel-label, dance-grooves der newcomer the apx und imaa, vintage-soul von ernest ernie & the sincerities, soul-garage-hymnen von dj spen und prefix one, sowie der fabelhafte mousse t feat. peven everett.

9 months of gestation that ignites in 7 titles of contemplative pop, hovering funk, cosmic soul built all this: the jazz fusion of soft machine, the krautrock of the wizards of can, the irresistible languor of italian crooners (toto cutugno and lucio battisti in the lead) as the soundtracks, so sensual, composed by pino donnagio for brian de palma... but if antoine kogut makes this references his own, it is because he considers each of the titles of sphere of existence as «songs, not tracks». with his deep voice he has the ambition to tell us a story through them: his own, and that of the world in which we live with as a guiding idea that all phillip k. dicks predictions have come true today. which ones? youll have to look in the multiple circles assembled by antoine kogut to compose sphere of existence.

pleasure planet is the latest musical venture of kim ann foxman alongside andrew potter and brian hersey, and enables the trio to express and explore their unique and eclectic musical tastes. their first release will drop on the brand-new firehouse imprint, self:timer. “pleasure planet is an extraterrestrial doomsday cult. they do whatever they want and their music is their message to planet earth. self:timer is their messenger. the rest doesn’t matter.” — pleasure planet pleasure planet has been a little while in the making. having worked together for five years sharing studios and late night synth experiments, their relationship naturally progressed into the band they present today. pleasure planet embody the psychedelic, weird, and wonderful. self:timer was created as an outlet for their band and they welcome other artists to share their own visions of utopia.

after shining a light on the garage’n’breaks of persian and the bump’n’house of brian bristol, the mysticisms’ crew return with another reissue, to a source of love and inspiration, the epicenter of the 90s nyc club music’s explosion and development, with an ep from the music production partnership of lee rodriguez and steven john craden.
better known as the team behind must-have the african dream double-header on eightball records, they were a feature, under numerous pseudonyms, on the early 90s nyc scene with appearances on a who’s who of labels including movin’, strictly rhythm, tribal and with elements of life, on oxygen music works.

28 classics from 50 years of northern soul on double vinyl, housed in a gatefold sleeve.

now available for the first time on vinyl, one way static records presents the second volume in our new archival series ‘la vie electronique’. this volume (1.1) focuses on the years 1970-1972 and is spread over two glorious lp’s containing +78 minutes of klaus shulze rarities. this deluxe vinyl set also comes with an insert containing extensive liner notes. available as a limited classic black vinyl retail edition (700 copies) with obi strip.

as the title suggests, joakim recorded this new album last year at studio venezia, the installation/sculptural ensemble/recording studio created by xavier veilhan for the prestigious 2017 venice art biennale. built inside the french pavilion & inspired by the grotto-like merzbau by kurt schwitters, studio venezia had dozens of artists create and record there over the 6 months of the biennale (from chassol to brian eno, from joakim to sebastien tellier), invited by xavier veilhan himself with the help of co-curator christian marclay. with an impressive collection of rare instruments from medieval horns to rare modular synths (baschet crystals and percussions, a buchla, a clavinet...), studio venezia was an amazing creative playground for the adventurous musician. those instruments were captured by a team of sound engineers in the best possible way thanks to nigel godrich’s (beck, radiohead...) mobile studio loaded with state of the art vintage recording gear.